As part of the pitch correction module, there’s a Voicing area where you can create artificial harmonies as well. If you’re familiar with Auto-Tune or similar software, you’ll find the ability to set the vocalist’s register, as well as the key and correction speed. The pitch correction itself is pretty advanced. You can, of course, bypass any of these sections independently. There’s a pitch section, a processing area, and a section for effects. Getting familiar with the layout, signal flows through three sections in VocalSynth 2. They already have an all-in-one vocal production suite in Nectar, so VocalSynth 2 caters to a totally different set of needs. IZotope is sort of known for developing plugins for specific purposes. The latest version still has pitch correction, a vocoder, and all sorts of proprietary weirdness. It included ‘normal’ stuff like pitch correction, EQ, and compression, as well as weirder stuff like Polyvox, Compuvox, and Shred. The original VocalSynth came with a modular effects interface.
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